A modern, angular white house on a rocky coastline with a vast ocean and cloudy sky in the background. A person is seated outside near the house, and a dog stands on the grass nearby.

Art on the Edge of the World

By Newfoundland & Labrador

A snowy landscape with small, red wooden cabins on a wooden platform. The sky is overcast, and a faint sun is visible. The area is surrounded by snow and scattered wooden beams.

Fogo Island

Thought to be one of the four corners of the planet by the Flat Earth Society, Fogo really is a place unlike any other. Quaint fishing villages round the shore of the island and centuries-old architecture lives alongside modern homes and the ultra-modern Fogo Island Inn. It is the home to an arts residency program that offers opportunities for contemporary artists to work and live in this place. And they come from all over. Visiting artists from across the sea and local ones from across the arm. Joe Batt’s Arm, that is. They come from Upper Canada, from Germany, from Brussels, and Norway to create beautiful art at the “end of the world.”

Exploring Fogo Island

A person crouches on a white floor, drawing on a clipboard with charcoal. Various sketches are scattered around, depicting abstract designs. A wooden table is partially visible in the background.

Kate Newby

Artists like Kate Newby of New Zealand whose arrangements of kiln-fired rocks and sticks rest on a low platform that resembles the fishing flakes of old. Or Jerry Robson, whose 2013 residency saw him creating large-scale drawings with ink and flashe. And then there's Katie Bethune-Leamen whose work involving misshapen mummers speaks directly to local custom. And, of course, Fogo Island born and bred Geoff Butler, whose bio reads, “Butler practices his art daily so as not to fall over the edge.” These are just a handful of the many artists who've splashed some paint around the studios of Fogo Island.

A modern, geometric black and gray house stands alone on a rocky, barren landscape. It's surrounded by sparse vegetation with overcast skies in the background, creating a stark and minimalist scene.

Squish Studio

Studios with names and shapes as whimsical and striking as the art produced there. Like ‘Long’ studio that stretches like the very arm of Joe Batt across a vast stone beach. Or ‘Tower’ studio that rises like a monolith overlooking Shoal Bay, and ‘Bridge’ studio that looks out over the water from the barrens of Deep Bay. A favourite of the six, would have to be ‘Squish’. Its pyramid-inspired theme with triangular angles is just quirky enough to tickle my funny bone. These spaces marry traditional themes with modern design and, like most houses in this place; they offer sanctuary and safe haven. The woodstoves and the piles of dry firewood don't go astray either.

Design on the Edge

And the point of all of this is to create a safe environment for these artists to work in. To make creations informed and inspired by their time spent in this beautiful place. Work that is created freely and of themselves. Doug Downey would approve.